High Fidelity Wasteland II: The Proto Plastic Groove (2021)

Darsha Hewitt

Werkleitz Festival 2021 move to ... © Werkleitz, photo Falk Wenzel
Werkleitz Festival 2021 move to ... © Werkleitz, photo Falk Wenzel
Werkleitz Festival 2021 move to ... © Werkleitz, photo Falk Wenzel
Werkleitz Festival 2021 move to ... © Werkleitz, photo Falk Wenzel
Werkleitz Festival 2021 move to ... © Werkleitz, photo Falk Wenzel
Werkleitz Festival 2021 move to ... © Werkleitz, photo Falk Wenzel
Werkleitz Festival 2021 move to ... © Werkleitz, photo Falk Wenzel
Werkleitz Festival 2021 move to ... © Werkleitz, photo Falk Wenzel
© Irene Pérez Hernández
© Irene Pérez Hernández
© Irene Pérez Hernández

WORK IN PROGRESS

High Fidelity Wasteland is a sound-centric trilogy that experiments with the material waste left over from generations of decomposing sound reproduction technology. HiFi Wasteland II: The Proto-Plastic Groove recomposes alternate forms of sonic expression inhabiting shellac phonograph recordings. Spinning at 78 rpm, this precursor to the vinyl record was the first ever disk-shaped recording medium. Though shellac looks and behaves like any other plastic we know today, this dark resin is in fact an organic bioadhesive, excreted by the tree dwelling Lac beetle as a protective shelter for her offspring. Chemically similar to synthetic polymers, shellac is considered a natural form of plastic — one that was rapaciously harvested and commodified throughout the 20th century for the global music industry. Though produced on a massive scale, shellac records signify a short-lived transition from the outset of our throwaway culture. This first iteration of HiFi Wasteland II: The Proto-Plastic Groove presents current electromechanical sound experiments, up-cycled prototypes and sculptural processes that release this hardened byproduct of insect survival into multi-material forms of sound and noise.

Material research and sculptural elements are made in collaboration with sculptor Irene Pérez Hernández (ireneperezhernandez.com), whose work challenges historical sculptural conventions by questioning materiality and form. Her works activate seemingly mundane objects, placing them in circumstances that are alternately poignant and absurd, posing larger questions about power dynamics, autonomy, and modalities of cultural and material circulation.
The artist thanks Alex Rex (alexrex.de) and Daniel Stigler for their technical support.

Website
Genre
soundArtInstallation
Arts And Visual Culture
materiality
music
History And Memory
culturalheritage
modernera
Media And Communication
mediaarchaeology
Nature And Environment
sustainability
Society And Culture
consumption
Technology And Innovation
consumption
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