I had white cotton in my yard, I fed it, I watered it: A polyphony on femaleness and border geographies

Endi Tupja in collaboration with Klodiana Millona

Within the perspective of considering the marginal character of life in border geographies, the artist-in-residence Endi Tupja, in collaboration with artist and researcher Klodiana Millona hosted by Onassis AiR, document women's singing practices in the polyphonic tradition in Derviçan (Albania). The project traces voice as a medium in the folklore tradition through a polyphonic topography of sound materiality. A double belonging between languages and cultures in the margins, offers ways of looking unto forms of “Souths” in Europe, gestures shaping an architecture of voices, and the hierarchical migration practices impacting the latter. Through singing sessions, recordings, interviews and the transcription and translation of text songs, the project explores how language and music are connected to the territory, to practices of migration and (un)mobility. Bodies are both archives and medium trajectories interrupted, but yet ongoing of preservation and activation.

Sound: Endri Pine
Women Singers: Katerina Koça, Dhimitrulla Xerra, Kostando Xerra, Krisulla Liço, Vasillo Qirjaku, Agathi Baruta, Antoneta Lleshi
Translation and Interpretation of Texts In Greek: Eleni Riga

Genre
filmVideo
Arts And Visual Culture
music
poetry
Body And Human
death
dream
expression
gender
identity
History And Memory
historyandMemory
collectiveMemory
ancestor
culturalheritage
tradition
Society And Culture
feminism
Technology And Innovation
feminism